when >1 wave w/ same freq overlap => interference (illustrated by ripple tank)
2 sources A & B w/ equal freq giving circular waves
principle of superposition can explain interference pattern
along RS: Acrest and Bcrest meet at same time > constructive interference > large wave along RS
along XY: Acrest and Btrough meet at same time > destructive interference > no wave along XY(> every pt on XY: /2 nearer to A)
reinforcement: constructive interference- at pt C when path diff AC - BC = k (k Z+)
cancellation: destructive interference- at pt C when path diff AC - BC = (k+½) (k Z+)
Principle of superposition:
when 2 waves travel through, the resultant displacement at any pt = vector sum of separate displacement due to the 2 waves
Interference of microwaves
max & min detected along AB due to inter. of wave from PQ Interference of sound waves
2 loudspeakers in // w/ audio freq oscillator microphone/ ear moved along MN: alternate loud & soft
Conditions for 2-source interference -coherent sources: same freq (=> same ), in phase/ w/ const phase diff
-~ same amplitude (or else no min)
-for transverse waves: -unpolarised / -polarised in same plane
-for light: sources v.clost as of light is v.small (not close: light & dark bands v.close => can't be seen)
Young's double slit experiment
A, B, C: narrow slits, A & B: v. close together
bright & dark bands seen on both sides of O (perpendicular bisector of AB)
[width of slits = 0.2mm, separation of double slit = 0.5mm]
white light used: diff colours > diff
P = mth bright line, BP - AP = m
PA = PN = > BN = BP - AP = m
AB is v.small > PM >> AB => AN & PN meet at ~90° => PMO BAN = BAN: sin = BN/AB = m/a PMO: tan = PO/MO = xm/D is v.small, tan sin => xm/D = m/a => xm = mD/a
Q: neighborring bright fringe- OQ = xm-1 = (m-1)D/a fringe separation, x = D/a [D: separation of double slit & screen, a: separation of double slit, : wavelength of wave]
light: 10-6m
source slit closer to double slit: x unaffected (only brighter)
source slit widened & widened > fringes gradually disappear (large slit acts as several narrow slits > many interference patterns at diff places > dark & bright fringes overlap > uniform illumination)
white light used: central fringe = white, other fringes = colour
blue fringe (smallest ) closest to central, red fringe (largest ) furthest from central
Diffraction = spreading of wave when wave pass through aperture / around obstacles
generally: smaller aperture (compared to ) > more diffraction light= 6 × 10-7m => small objects/ aperture: sig diffraction of light
sound waves can diffract around wide openings as opening comparable to sound
diff ∝ (low notes heard easier than high notes)
Single slit diffraction
A & B: on plane wavefront & can be considered as 2 secondary sources of light, since from same wavefront => coherent w/ identical amplitude =>interference pattern as long as slit is narrow (rel to )
short dist beyond M & N (projections of A & B): alternate bright & dark fringes
central fridge: twice as wide as & intensity v.much greater than other bright fringes
sin = /d (d: separation of double slit)
Increasing # of slits
each slit: similar diffraction effect in same direction > pattern similar to 1 slit w/ intensity variation (but crossed by intermediate fringes due to interference bet slits)
more // equidistant slits; intensity & sharpness of: -principal max increases, -subsidary max decreases
100's slits/mm: only a few sharp principal maxima
diffraction grating: glass/ metal w/ large # of close // equidistant slits ruled on it
grating w/ n lines/mm: d = 1/(n × 104)m
BC = dsin = path diff bet 2 adjacent slits
for bright fringe: BC = k (k = whole #/0)
=> sin = BC/AB = k /d => dsin = k
1st order bright fringe = 1st adjacent fringe to central fringe
more slits > less # of bright fringes which are brighter
Measurement of wavelength
find 1st order of diffraction on each side => angular diff = 2=> = dsin (k = 1)
Stationary /standing waves -formed when 2 identical waves (same freq + amp) travel in opp directions in a medium
-wave-like profile doesn't move along medium
N-nodes = pts of permanent zero displacement
A-anti-nodes = pts ½ way bet 2 nodes w/ max amplitude of vibration (vib: 0 A 2 amp.original)
dist bet 2 nodes, NN = /2, AA = /2, AN =/4
Modes of vibrations of stretched string
fundamental freq, f0 (1st harmonic): l =/2 => f0 = v/ = v/2l
1st overtone, f1 (2nd harmonic): l =1 => f0 = v/1 = v/l = 2f0
2nd overtone, f2 (3rd harmonic): l =31/2 => f0 = v/2 = 3v/2l = 3f0
nth overtone: (n+1)f0
Stationary waves in air columns closed pipe- open end always anti-node, closed end = node
open pipe- both ends always anti-node
closed
open
fundamental freq, f0 (1st harmonic)
l =/4 => f0 = v/ = v/4l
l =/2 => f0 = v/ = v/2l
1st overtone, f1 (2nd harmonic)
l =31/4 => f1 = v/1 = 3v/4l = 3f0
l =1 => f1 = v/1 = v/l = 2f0
2nd overtone, f2 (3rd harmonic)
l =52/4 => f2 = v/2 = 5v/4l = 5f0
l =32/2 => f2 = v/2 = 3v/2l = 3f0
nth overtone
(2n+1)f0
(n+1)f0
Measuring of sound using stationary waves
sound waves of const freq emitted from loudspeaker aimed at reflecting surface > sound reflected > interfere w/ incident waves > stationary waves set up
microphone, connected to y-plates of oscilloscope, moved through region of standing waves
mic placed at 2 successive max pts (anti-nodes- loudest sound) => dist, x, bet pts = /2 => = 2x
anti-node >(move)> node: loud > soft sound, node >(move)> anti -node: soft > loud sound
Calculate velocity of sound in air by Kurdt's tube
freq of sound varied, resonance occurs when f equals natural freq of vib of air column in tube > stationary waves formed > lycopdium powder collects in heaps at nodes (no disturbance)
av. dist bet 2 heaps/nodes = /2
Resonance tube experiments
A: anti-node actually slightly above rim, dist 'c' above rim
at 1st resonance: l1 + c = /4
at 2nd resonance: l2 + c = 3/4
l2 - l1 = /2